In the late 1970s, tuning in to a radio broadcast in California, I heard some remarkable piano pieces that left me astonished. The pieces delivered a flood of notes at speeds that would be impossible for a live performer to achieve. The unusual musical activity, extremely imaginative, was at times almost acrobatic. For example, two…

We never studied the music of the American composer George Crumb in music school, but it was his music that struck me as being truly unique when I was a young composer. It was different in so many ways from the music that I had been analyzing in theory class. He had developed a sound world that was so evocative, spiritual, haunting, and personal. It touched me. He explored unusual timbres, placed unusual instruments into the ensembles, devised new extended vocal techniques for singers. He made me realize that contemporary music could be really beautiful as well as being intellectually satisfying.

Murray Schafer and I have had a long working relationship and friendship and I’ve long thought about celebrating him and his work with a special concert, an event that is really overdue.

The premiere of my composition ‘Sirens’ by the Esprit orchestra was spectacular. I love it when I write a piece and Alex, through his conducting, is able to inspire such a great interpretation from the performers that the piece sounds much better than I imagined. He also went to such great lengths to find an elusive pump…

People often ask Alex and I what it is like having two composers in the family. Letʼs just say itʼs lively! Our household has been particularly ʻexcitingʼ lately as we are both finishing new pieces at the same time. Alex is writing his biggest and most profound work, Devotions for The Elmer Iseler Singers and Esprit Orchestra…