The Iron Foundry and Pacific 231 are imaginative musical depictions of forces at the height of the industrial revolution that suggest both organic and mechanical extensions of human feelings. The sonic materials of Adès’ concerto are sheets of sound in differing orbits, overlapping, sometimes clashing circular forms, and playful, easeful cycles in harmony at different rates. Adams’ Short Ride elevates the level of excitement and Harman pushes things into overdrive.
Artists and repertoire subject to change without notice.